A day in Konya

It's hard to describe an encounter with a man who has brought so much to my life. Standing before Mowlana Rumi shattered any pretensions I harbored about having recovered from the romanticism that afflicts so many from my country. A twelve hour night bus took me from Istanbul to Konya.  I stepped off the bus, made my way in broken Turkish towards the tram station, and watched the streets of Konya pass me by as I fell deeper and deeper into thought. All the while every line I had ever learned made itself available to my tired thoughts...

beshno az ney, chon hekāyat mikonad...az jodā-ee-hā shekāyat mikonad...
Listen to the reed as it speaks, complaining of separation...

Chanting and stumbling, I walked from the tram station to the nearest restaurant. I hadn't eaten a square meal in what seemed like forever. Only after I entered I realized I was in a MacDonald's. The garish yellow-red interior snapped me out of my romantic daze.  I ordered a MacDonald's hamburger for what would be the first time in my life. Underwhelmed by the reaching of yet another momentous benchmark, I finished my meal down to the last perfectly manicured fry and made my way to the shrine. 

I walked past the city garden, past mosque after ancient mosque, castles and forts and history that was so common in Turkey I had gotten used to seeing it all sort of lying around. I walked past the Mowlana restaurant, the Mowlana hotel, the Mowlana bank and coffee shop selling Mowlana coffee at prices Mowlana would never be able to afford, past ten thousand little figurines of whirling darvishes, and clock faces of whirling darvishes and signs for two for one deals on whirling darvishes....

At long last, I saw the turquoise dome of the shrine emerging from behind the trees. And then, I did what every self respecting Persian gentleman does in the face of the numinous; I sat myself down and cried big, hot tears, unfazed by the stares of passers by.  I walked on, past the jinazah prayer at the masjid to my left, past the ticket booth swarming with pilgrims turned tourists and past the rubble of "renovation" work.  Two liras later I was inside the "Mevlana Museum", determined to at least try containing myself. The museum was packed like a bazaar with all of Mowlana's purported stuff, but my watery eyes were fixed on a few simple lines, written in nasta'liq on the far wall...

bāzā, bāzā, harānche hasti, bāzā
gar kāfar-o bot parasti, bāzā
in dargah,dargah-e nā-omeedee neest
sad bār agar towbe shekasti, bāzā

Return, return, whatever you are
if you are kafer or idolater, return
for this house is not the house of hopelessness
If you broke your towbas a hundred times, return...

More tears, more wandering, more encounters with beautiful, warm, friendly Konyans inviting me into their lives without reservation, more tea and shopping later, I was on another bus, heading back to Syria.

Good Morning

Grammar is not a game!

Professor Yusuf wrote a sentence on the board. Zaid stands accused of killing the driver...and his son. (زيد متهم بقتل سايق و إبنه). "Grammar is not a game," he said, calling on a student to close the door, barring all late comers from the lecture hall. The place was packed to the gills with mesmerized Syrians. "This sentence, depending on how we place the diacritical marks on ibn (son) can mean either that Zaid and his son were accused of killing the driver or that one culprit, Zaid, stands accused of killing the driver and the drivers' son. Grammar is not, I repeat, a game. Grammar is life!!"

I was far too captivated by the professor's rapid fire fus'ha to notice the melodramatic aside. He whisked us through the next two hours, I and nearly three hundred freshmen on the edge of our Ottoman era benches. Professor Yusuf threw us stanza after classical stanza, manipulated verses like a magician, an inveritable Gandalf of Grammar, "Is the poet al-Jareer telling us that every heart seeks its beloved, or is he telling us something more, about his own heart in particular. thi'qalbin, is it what it seems, or is thi really short of hathihi?!"

Some, unable to contain themselves, would shout out answers, flail their arms and rise from their seats. All of this went against the almost nineteenth century rules governing teacher student etiquette at Damascus University. "We are an in an adab department after all, let us conduct ourselves with adab," he said, playing on the dual meaning of adab as both grammar and manners. Smiling, Professor Yusuf assured students there would be ample time in the coming classes for outbursts of morphological enthusiasm. Hijabs glittered under the auditorium lights, pens scratched furiously trying to keep up, and the professor soldiered on.

Clearly in over my head, I nevertheless knew I had come to the right place. Language institutes for foreigners? Not I! Hanif al-Batuta, fresh from Bengal, will sit in a Syrian class with Syrian students. And before I realized how desperately behind I was falling, my mind was already dancing with thoughts of those early Persian linguists, to Sibawayh, who composed an elaborate and precise Arabic grammar as early as the 8th century...

I walked out of class, my mind awash with classical Arabic. As for the bemused expression on the face of the roadside fruit vendor, I only realized after the fact that I had asked him something that roughly approximated to, "When, pray, shall yonder bus arrive at this here spot where we are currently standing."

Damascus

Last night I was sitting on the balcony with Madame Raifeh, waiting to hear the sound of cannon fire. The explosion would mark the end of another lackadaisical day of Damascus fasting. Somewhere along the line, I had simply given up on daytime productivity. One day sort of melted into the next as I slept or read or procrastinated the minutes until iftaar. Iftaar, would mean Turkish coffee, and another round of Madame Raifeh's favorite, if slightly underwhelming, Ramadan talkshow. Mischeiviously, she often prods me to call in, feeding me elaborate back stories I should recite in the unlikely event my call goes through.

Raifeh has been living and renting out apartments to foreigners like me in Bab Touma since long before I was born. The years haven't been particularly kind to her. At about sixty, she walks with a visible hunch, the product of a difficult life in rural Sueda. Somehow, though, when she smiles through her sun baked wrinkles, fires up another cigarette, or helps her unimaginably old mother to bed, it becomes easier to picture a vibrant Raifeh's better days.

Last night, after the show, over another round of coffee, in a thick as soup Syrian dialect, Madame Raifeh decided to tell me a story.

"In Sueda, there were no cars, no electricity, no doctors." Drought, she said, had hit the mostly Christian and Druze village for nearly ten years to the dismay of her farmer father. Each day, her mother would walk about two hours to a river, collect enough drinking water for the family, and walk back. I tried to picture Madame Raifeh's mother, quietly sleeping on the sofa, with an urn full of water on her tired shoulders. Schools had just become a part of Suedan life, and a six year old Raifeh was eager to attend. She would, of course, have to bring along her younger sister, with whom she'd share the single pen her father had bought them. Raifeh and her sister would take turns using the pen to finish their assignments.

"And so one day, my sister told me she was sick and didn't want to come to school. This made me happy because I would have the pen all to myself. I was little, I couldn't understand what sickness was. I returned home and asked my sister if she wanted to finish her assignment. Again, she said no, that she was feeling sick, complaining about a pain in her stomach. Without giving it a second thought, I ran off and played with my friends. A few hours later, my sister had died from an infected appendix. Well of course she died, there was no doctor, no medicine or anything! I was bit happy after that, too. All I could understand in my six year old mind was that I would get all of my little sister's old things. That's so sad, right?"

Madame Raifeh said all this with a bubbly, storytelling kind of cheer. And so it was. I finished my coffee, bid Raifeh good night, and took another long walk through old Damascus.

How do you feel about Catfish?

A Christian man in the park. “The Missionaries,” he complained, “simply tell me to be happy with what I have in life. I’m not impressed. I want my children to have a good education, to travel once in a while. And you, you must return to our country, you must come and work here. In Bangladesh, you can do anything. How do you feel about Catfish? My brother raises catfish, best in the country, straight to export. You put your thoughts together about catfish, and business, and you give me a call, ok? Also, it would make us all extremely happy if you came over for dinner. Meet my family, see our place. Puna? Puna is beautiful, students from everywhere, I studied English literature there. I’ve forgotten all my Marathi, haven't been there in eighteen years. No I’m not going back and why would I? Bangladesh is my home, even though here, I’m a bit of a second and a half class citizen…amar gramer bari? Borishal, such a beautiful place, I can’t even begin to describe it. Just no jobs, no jobs in Borishal, and plenty of rain." ~ Prodip Roy